Month: September 2025

When 11-year-old Fia stepped onto The Voice Kids stage in 2023, no one expected the kind of silence that would follow — the kind that comes when a performance moves you so deeply, you forget to clap.

She sang “Flashlight” by Jessie J — and at the same time, she signed the entire song in German Sign Language. Not for show. Not for the judges. But for her little sister Emilia, who can’t speak.

“I sing bilingually,” Fia told the cameras afterward, with the quiet confidence of someone who knows exactly why she’s doing what she’s doing.

A Big Heart from Berlin (via Shanghai)

^{Source: Screenshots from The Voice Kids YouTube channel.}

Fia — full name Fia-Marie Lin — was born in Shanghai, but grew up in Berlin, where she now lives with her family. Her younger sister Emilia is at the center of her story. Emilia was born unable to speak, and rather than accept that as a barrier, Fia learned sign language so she could share songs with her.

It became a way of life — and now, a part of her music.

Outside of singing, Fia’s a pretty typical kid. She loves swimming, dancing, climbing, listening to K-pop, and hanging out with her two pet rabbits: Simba and Puschel.

A Voice — and a Message — on National TV

Fia auditioned for Season 11 of The Voice Kids Germany in 2023. She stood alone on that big stage, sang “Flashlight,” and signed every lyric. You could hear the shift in the room — the coaches leaned in, visibly emotional. Lena Meyer-Landrut was in tears.

Fia’s audition went viral. But more importantly, it opened a conversation. Her voice wasn’t just about sound — it was about connection.

She made it all the way to the finals. She didn’t win, but that didn’t really matter. Her performance was unforgettable — for what it said, and for who it was for.

From TV to Eurovision

Later that year, Fia was chosen to represent Germany at the Junior Eurovision Song Contest in Nice, France. Her song was called “Ohne Worte” — “Without Words.”

And once again, she sang and signed the lyrics.

She finished 9th out of 16 entries — a proud moment for Germany, and an even prouder one for a young girl who had never forgotten why she started singing in the first place.

So… What’s She Doing Now?

Turns out, quite a lot.

Since Eurovision, Fia has stayed busy with music and live performance. She released a single called “The Real Me” in mid-2024, and later collaborated with a friend she met at Eurovision on a song called “2 Much 2 Dream.”

She also performs as part of the Friedrichstadt-Palast youth ensemble in Berlin, where she’s involved in the stage show Frida & Frida. She’s gaining experience, confidence, and probably making a lot of new friends in the process.

Not Just a Singer — A Connector

There’s something rare about Fia. Not just her voice, which is soft but clear. Or her ability to perform under pressure. It’s that she’s found a way to use music as something bigger than entertainment.

She sings with her voice, yes — but also with her hands. With her heart. With intention.

And at just 12 years old, she’s already showing that sometimes the most powerful performances aren’t the loudest. They’re the ones that come from love, and land in silence.

Carlotta Bach is a young singer from the small town of Dautphetal in the German state of Hesse. In 2023, she gained nationwide attention through her appearance on The Voice of Germany, where she stood out with a voice rooted in classical training and a quiet stage presence that contrasted with the show’s often theatrical environment.

Before stepping into the national spotlight, Carlotta was already known in her local community as a talented singer. She attended the Lahntalschule in Biedenkopf, and regularly performed in school concerts, church services, and local events. She also played major roles in musicals and sang soprano in her school orchestra.

Her voice, clear and technically disciplined, developed in part through singing in sacred and formal settings. This experience likely contributed to her ability to handle emotionally complex and vocally demanding pieces later on The Voice stage.

The Voice of Germany 2023: A Gradual Rise

^{Source: Screenshots from The Voice of Germany – Offiziell YouTube channel.}

Carlotta’s journey began in the very first episode of The Voice of Germany 2023. For her Blind Audition, she chose the challenging and emotionally resonant piece “Ave Maria” by Giulio Caccini. Her interpretation impressed all four coaches — Shirin David, Giovanni Zarrella, Bill & Tom Kaulitz, and Ronan Keating — earning her a rare “four-chair turn.”

She ultimately joined Team Giovanni Zarrella, a coach known for his blend of classical and pop musical background — a match that suited her vocal style.

In the Battle Round, she performed “Firework” by Katy Perry alongside fellow contestant Desirey Sarpong Agyemang. Though this pop anthem was outside her usual repertoire, Carlotta adapted well, displaying vocal control and confidence in a more contemporary genre.

But it was in the Team Fights where she truly stood out.

“You Raise Me Up”: A Defining Performance

^{Source: Screenshots from The Voice of Germany – Offiziell YouTube channel.}

Carlotta chose to perform “You Raise Me Up,” originally composed by Rolf Løvland and made famous through versions by Josh Groban and Celtic Woman. The song is often associated with themes of comfort, loss, and inspiration — themes that seemed to align naturally with her quiet but emotionally open style.

Her performance was subtle rather than dramatic, focusing on vocal clarity and steady emotional delivery. The result was a rendition that visibly moved both the audience and several coaches. Giovanni Zarrella, her coach, appeared particularly touched. Ronan Keating and Shirin David also responded with visible emotion.

Though the performance received standing ovations, the competition format required votes — and ultimately, Carlotta lost her spot to fellow contestant Simon Schmerbeck. Her journey on the show ended there.

Life After the Show: Local Engagement and Public Recognition

Despite not reaching the final rounds, Carlotta’s impact did not go unnoticed.

Shortly after her time on The Voice, she was invited to participate in the German Television Awards (Deutscher Fernsehpreis), where she appeared on stage alongside Giovanni Zarrella. She played piano and helped present one of the award envelopes, giving her additional national exposure.

Carlotta’s performance of “You Raise Me Up” was released as a digital single under the official The Voice of Germany brand and remains available on major platforms like Apple Music and Qobuz. The live recording captures the emotional quality that made the performance one of the season’s most talked-about moments.

More recently, she has continued to stay connected to music through community work. In mid-2024, she led workshops with children in Biedenkopf, giving vocal training tips and teaching exercises. Her willingness to share her skills suggests a broader vision for music — not only as a personal pursuit but also as a way to contribute to others’ development.

What’s Next?

As of late 2024, Carlotta has not announced a solo album or signed with a major label. However, her mix of classical foundation, early public exposure, and community involvement suggests that her path may not follow the typical pop career route. Instead, she may be building something more sustainable — and perhaps more personal.

Whether she chooses to pursue a professional music career or continue performing in local and national settings, Carlotta Bach has already left a strong impression. Her presence on The Voice wasn’t defined by spectacle or competition, but by a consistent commitment to musical quality and emotional honesty.

Kathrin German first stepped into the spotlight when she was just 12 years old, competing on The Voice Kids in 2020. Back then, her energetic take on “Long Tall Sally” caught the attention of coaches and viewers alike, earning her a spot on Team Sasha. Fast forward four years, and Kathrin returned to the stage—but this time on The Voice of Germany 2024, where she brought a new level of maturity and vocal depth to the competition.

In this season, Kathrin was part of Team Mark Forster. One of the pivotal moments came during the Teamfights, where she faced off against Verena de la Caridad from Team Yvonne Catterfeld. For her song choice, Kathrin went with Whitney Houston’s “I Have Nothing,” a challenging and iconic ballad known for its demanding vocals.

Her performance impressed coaches and the audience with its emotional sincerity and control. It was clear she wasn’t just singing the notes — she was telling a story, showing growth and confidence. This effort earned her a win in that round, sending her through to the semi-finals.

^{Source: Screenshots from The Voice of Germany – Offiziell YouTube channel}

While Kathrin didn’t win the overall competition—Jennifer Lynn ultimately took the crown—her journey on the show highlighted her steady artistic progress. In the finale, Kathrin also showcased her songwriting skills with an original piece called “Another Forever,” hinting at a future that extends beyond just covers and competitions.

Since the show, Kathrin has continued to develop her music career. Her live performance of “I Have Nothing” was released as a single, allowing fans to revisit the moment that defined her 2024 run. She stays active online, sharing new music and updates as she builds her presence in the industry.

Kathrin’s story is one of growth, persistence, and dedication. From a young contestant on The Voice Kids to a confident performer on the adult stage, she’s demonstrated the kind of steady progress that suggests she’s just getting started.

Lillianna Clifton’s final performance on Britain’s Got Talent showcased a rare blend of technical precision and emotional depth. Dancing to Loreen’s “Tattoo,” she delivered choreography that was both powerful and graceful. Judges and viewers alike were drawn in by her fluid movement and storytelling ability—proving that her talent went far beyond the steps.

Who is Lillianna Clifton?

Lillianna Clifton was born and raised in Liverpool, England. She began dancing at just four years old, encouraged by her family to help build her confidence. What began as a hobby quickly developed into a serious pursuit. By the age of 8, she was entering competitions, mastering both slow dance and freestyle, and building a reputation in regional and international dance circles.

Her training outside school was intense. Lillianna spent several hours daily developing her technique, stagecraft, and emotional connection to music. Her work earned her multiple awards, including improv titles and high rankings in youth dance competitions—long before she ever stepped onto the BGT stage.

Britain’s Got Talent 2023 Journey

^{Source: Screenshot from the Britain’s Got Talent official YouTube channel}

Lillianna auditioned for BGT at age 13, performing a self-choreographed routine to “Train Wreck” by James Arthur. Her performance combined pirouettes, floor work, gymnastic flips, and a deep emotional interpretation of the song’s lyrics. The judges responded with immediate praise. Simon Cowell called it a “10 out of 10,” highlighting her precision and control, while Bruno Tonioli described her as a “powerhouse of drama and technique.”

In the semifinal, she danced to a cover of “Running Up That Hill” (originally by Kate Bush). The routine further showcased her growth, with complex transitions and a narrative thread that matched the mood of the music. Her control, use of space, and emotional tone helped her win the judges’ vote to move into the final round.

In the final, her routine to “Tattoo” by Loreen was both visually and emotionally impactful. She used the full stage, integrating lifts, aerial elements, and precise choreography to tell a compelling story. The routine earned standing ovations and was praised for its intelligence and timing.

Audience Reactions and the Competition’s End

_{Source: Screenshots from the Britain’s Got Talent official YouTube channel}

Lillianna ultimately placed second in the competition, finishing as the runner-up to Norwegian comedian Viggo Venn. Magician Cillian O’Connor took third place. The final vote surprised many viewers and generated a strong response—some audience members even booed during the winner announcement, a rare occurrence for the show. On social media, many viewers voiced the opinion that Lillianna had delivered the most technically and emotionally advanced performance of the night.

Despite not winning, Lillianna remained composed. In interviews, she expressed her gratitude and described reaching the final as “more than I expected.” Judges continued to praise her discipline and artistry, regardless of the competition outcome.

Personal Life and Support System

Lillianna lives with her mother Vicky, father Ray, and younger sister Lola in Toxteth, Liverpool. She was a student at St. Patrick’s Catholic Primary School during the competition, and her teachers and classmates supported her throughout her BGT journey. After the show, her school and community celebrated her achievements, treating her as a local hero.

Outside of the public eye, Lillianna has kept her personal life relatively private. She continues to train rigorously, balancing education with dance, and has expressed ambitions to perform with Cirque du Soleil or in large-scale international productions.

After BGT and Future Prospects

Lillianna didn’t fade from view after BGT ended. In December 2023, she was invited to perform at The National Lottery’s New Year’s Eve Big Bash, broadcast on ITV. There, she danced alongside BGT finalist Musa Motha to “Dancing Is Healing.” The performance was seen as symbolic—a celebration of resilience and artistic healing through movement.

Since then, she has continued her dance training while also taking on occasional public and professional performance opportunities. While her family hasn’t publicized every project, it’s clear Lillianna is continuing to build her path in the performing arts carefully and deliberately.

Conclusion

Lillianna Clifton’s journey from a young dancer in Liverpool to a national finalist on Britain’s Got Talent is a story of quiet determination, consistent practice, and thoughtful artistry. She didn’t rely on theatrics or spectacle alone—her success came from strong technique, intelligent choreography, and a deep connection to her music.

Her presence on stage never asked for attention; it simply earned it. And though she may not have taken the trophy, her work resonated with millions and marked the beginning of something much larger.

This is not the end for Lillianna Clifton. It’s only the beginning.