2025yr.com

Carlotta Bach is a young singer from the small town of Dautphetal in the German state of Hesse. In 2023, she gained nationwide attention through her appearance on The Voice of Germany, where she stood out with a voice rooted in classical training and a quiet stage presence that contrasted with the show’s often theatrical environment.

Before stepping into the national spotlight, Carlotta was already known in her local community as a talented singer. She attended the Lahntalschule in Biedenkopf, and regularly performed in school concerts, church services, and local events. She also played major roles in musicals and sang soprano in her school orchestra.

Her voice, clear and technically disciplined, developed in part through singing in sacred and formal settings. This experience likely contributed to her ability to handle emotionally complex and vocally demanding pieces later on The Voice stage.

The Voice of Germany 2023: A Gradual Rise

^{Source: Screenshots from The Voice of Germany – Offiziell YouTube channel.}

Carlotta’s journey began in the very first episode of The Voice of Germany 2023. For her Blind Audition, she chose the challenging and emotionally resonant piece “Ave Maria” by Giulio Caccini. Her interpretation impressed all four coaches — Shirin David, Giovanni Zarrella, Bill & Tom Kaulitz, and Ronan Keating — earning her a rare “four-chair turn.”

She ultimately joined Team Giovanni Zarrella, a coach known for his blend of classical and pop musical background — a match that suited her vocal style.

In the Battle Round, she performed “Firework” by Katy Perry alongside fellow contestant Desirey Sarpong Agyemang. Though this pop anthem was outside her usual repertoire, Carlotta adapted well, displaying vocal control and confidence in a more contemporary genre.

But it was in the Team Fights where she truly stood out.

“You Raise Me Up”: A Defining Performance

^{Source: Screenshots from The Voice of Germany – Offiziell YouTube channel.}

Carlotta chose to perform “You Raise Me Up,” originally composed by Rolf Løvland and made famous through versions by Josh Groban and Celtic Woman. The song is often associated with themes of comfort, loss, and inspiration — themes that seemed to align naturally with her quiet but emotionally open style.

Her performance was subtle rather than dramatic, focusing on vocal clarity and steady emotional delivery. The result was a rendition that visibly moved both the audience and several coaches. Giovanni Zarrella, her coach, appeared particularly touched. Ronan Keating and Shirin David also responded with visible emotion.

Though the performance received standing ovations, the competition format required votes — and ultimately, Carlotta lost her spot to fellow contestant Simon Schmerbeck. Her journey on the show ended there.

Life After the Show: Local Engagement and Public Recognition

Despite not reaching the final rounds, Carlotta’s impact did not go unnoticed.

Shortly after her time on The Voice, she was invited to participate in the German Television Awards (Deutscher Fernsehpreis), where she appeared on stage alongside Giovanni Zarrella. She played piano and helped present one of the award envelopes, giving her additional national exposure.

Carlotta’s performance of “You Raise Me Up” was released as a digital single under the official The Voice of Germany brand and remains available on major platforms like Apple Music and Qobuz. The live recording captures the emotional quality that made the performance one of the season’s most talked-about moments.

More recently, she has continued to stay connected to music through community work. In mid-2024, she led workshops with children in Biedenkopf, giving vocal training tips and teaching exercises. Her willingness to share her skills suggests a broader vision for music — not only as a personal pursuit but also as a way to contribute to others’ development.

What’s Next?

As of late 2024, Carlotta has not announced a solo album or signed with a major label. However, her mix of classical foundation, early public exposure, and community involvement suggests that her path may not follow the typical pop career route. Instead, she may be building something more sustainable — and perhaps more personal.

Whether she chooses to pursue a professional music career or continue performing in local and national settings, Carlotta Bach has already left a strong impression. Her presence on The Voice wasn’t defined by spectacle or competition, but by a consistent commitment to musical quality and emotional honesty.

Kathrin German first stepped into the spotlight when she was just 12 years old, competing on The Voice Kids in 2020. Back then, her energetic take on “Long Tall Sally” caught the attention of coaches and viewers alike, earning her a spot on Team Sasha. Fast forward four years, and Kathrin returned to the stage—but this time on The Voice of Germany 2024, where she brought a new level of maturity and vocal depth to the competition.

In this season, Kathrin was part of Team Mark Forster. One of the pivotal moments came during the Teamfights, where she faced off against Verena de la Caridad from Team Yvonne Catterfeld. For her song choice, Kathrin went with Whitney Houston’s “I Have Nothing,” a challenging and iconic ballad known for its demanding vocals.

Her performance impressed coaches and the audience with its emotional sincerity and control. It was clear she wasn’t just singing the notes — she was telling a story, showing growth and confidence. This effort earned her a win in that round, sending her through to the semi-finals.

^{Source: Screenshots from The Voice of Germany – Offiziell YouTube channel}

While Kathrin didn’t win the overall competition—Jennifer Lynn ultimately took the crown—her journey on the show highlighted her steady artistic progress. In the finale, Kathrin also showcased her songwriting skills with an original piece called “Another Forever,” hinting at a future that extends beyond just covers and competitions.

Since the show, Kathrin has continued to develop her music career. Her live performance of “I Have Nothing” was released as a single, allowing fans to revisit the moment that defined her 2024 run. She stays active online, sharing new music and updates as she builds her presence in the industry.

Kathrin’s story is one of growth, persistence, and dedication. From a young contestant on The Voice Kids to a confident performer on the adult stage, she’s demonstrated the kind of steady progress that suggests she’s just getting started.

Lillianna Clifton’s final performance on Britain’s Got Talent showcased a rare blend of technical precision and emotional depth. Dancing to Loreen’s “Tattoo,” she delivered choreography that was both powerful and graceful. Judges and viewers alike were drawn in by her fluid movement and storytelling ability—proving that her talent went far beyond the steps.

Who is Lillianna Clifton?

Lillianna Clifton was born and raised in Liverpool, England. She began dancing at just four years old, encouraged by her family to help build her confidence. What began as a hobby quickly developed into a serious pursuit. By the age of 8, she was entering competitions, mastering both slow dance and freestyle, and building a reputation in regional and international dance circles.

Her training outside school was intense. Lillianna spent several hours daily developing her technique, stagecraft, and emotional connection to music. Her work earned her multiple awards, including improv titles and high rankings in youth dance competitions—long before she ever stepped onto the BGT stage.

Britain’s Got Talent 2023 Journey

^{Source: Screenshot from the Britain’s Got Talent official YouTube channel}

Lillianna auditioned for BGT at age 13, performing a self-choreographed routine to “Train Wreck” by James Arthur. Her performance combined pirouettes, floor work, gymnastic flips, and a deep emotional interpretation of the song’s lyrics. The judges responded with immediate praise. Simon Cowell called it a “10 out of 10,” highlighting her precision and control, while Bruno Tonioli described her as a “powerhouse of drama and technique.”

In the semifinal, she danced to a cover of “Running Up That Hill” (originally by Kate Bush). The routine further showcased her growth, with complex transitions and a narrative thread that matched the mood of the music. Her control, use of space, and emotional tone helped her win the judges’ vote to move into the final round.

In the final, her routine to “Tattoo” by Loreen was both visually and emotionally impactful. She used the full stage, integrating lifts, aerial elements, and precise choreography to tell a compelling story. The routine earned standing ovations and was praised for its intelligence and timing.

Audience Reactions and the Competition’s End

_{Source: Screenshots from the Britain’s Got Talent official YouTube channel}

Lillianna ultimately placed second in the competition, finishing as the runner-up to Norwegian comedian Viggo Venn. Magician Cillian O’Connor took third place. The final vote surprised many viewers and generated a strong response—some audience members even booed during the winner announcement, a rare occurrence for the show. On social media, many viewers voiced the opinion that Lillianna had delivered the most technically and emotionally advanced performance of the night.

Despite not winning, Lillianna remained composed. In interviews, she expressed her gratitude and described reaching the final as “more than I expected.” Judges continued to praise her discipline and artistry, regardless of the competition outcome.

Personal Life and Support System

Lillianna lives with her mother Vicky, father Ray, and younger sister Lola in Toxteth, Liverpool. She was a student at St. Patrick’s Catholic Primary School during the competition, and her teachers and classmates supported her throughout her BGT journey. After the show, her school and community celebrated her achievements, treating her as a local hero.

Outside of the public eye, Lillianna has kept her personal life relatively private. She continues to train rigorously, balancing education with dance, and has expressed ambitions to perform with Cirque du Soleil or in large-scale international productions.

After BGT and Future Prospects

Lillianna didn’t fade from view after BGT ended. In December 2023, she was invited to perform at The National Lottery’s New Year’s Eve Big Bash, broadcast on ITV. There, she danced alongside BGT finalist Musa Motha to “Dancing Is Healing.” The performance was seen as symbolic—a celebration of resilience and artistic healing through movement.

Since then, she has continued her dance training while also taking on occasional public and professional performance opportunities. While her family hasn’t publicized every project, it’s clear Lillianna is continuing to build her path in the performing arts carefully and deliberately.

Conclusion

Lillianna Clifton’s journey from a young dancer in Liverpool to a national finalist on Britain’s Got Talent is a story of quiet determination, consistent practice, and thoughtful artistry. She didn’t rely on theatrics or spectacle alone—her success came from strong technique, intelligent choreography, and a deep connection to her music.

Her presence on stage never asked for attention; it simply earned it. And though she may not have taken the trophy, her work resonated with millions and marked the beginning of something much larger.

This is not the end for Lillianna Clifton. It’s only the beginning.

This is one of the most beautiful renditions of Ave Maria — Carlotta’s voice makes you feel as if you’re in heaven.

In the 2023 season of The Voice of Germany, a quiet yet powerful moment emerged during the Blind Auditions. While most contestants chose mainstream pop hits to capture the coaches’ attention, 17-year-old Carlotta Bach took a different path. She performed the classical piece Ave Maria, attributed to Giulio Caccini, and delivered it with a level of vocal control and emotional presence far beyond her years.

Source: YouTube Screenshot – The Voice of Germany

Carlotta’s audition immediately stood out. Her performance led all four coaches to turn their chairs — a rare and prestigious outcome on the show. Among them, pop star and coach Shirin David was visibly moved to tears, deeply touched by the sincerity and purity of Carlotta’s voice. The studio audience responded with a standing ovation, clearly recognizing the emotional impact of the moment.

Source: YouTube Screenshot – The Voice of Germany

Musical Background

Carlotta hails from Dautphetal, a small town in the German state of Hessen. Even before appearing on national television, she had already been involved in music for several years. She sang soprano in her school orchestra, performed at weddings and church events, and even played leading roles in local musicals. Her choice to sing Ave Maria was not only bold but authentic — a reflection of her musical upbringing and classical roots.

Journey on The Voice

After her successful audition, Carlotta chose Giovanni Zarrella as her coach. In the Battles round, she performed Firework by Katy Perry — a challenging shift from classical to pop — and won against fellow contestant Desirey Sarpong Agyemang. In the following round, known as the Team Fights, she returned to her classical style with a performance of You Raise Me Up. Once again, her performance touched the coaches and audience alike, drawing strong praise for its emotional depth.

However, despite her clear vocal talent and audience support, Carlotta was eliminated in the Team Fights round. She lost her position to another contestant during the hot seat phase, bringing her time on the show to an end before the live finals.

Lasting Impact

Though she did not win the competition, Carlotta made a lasting impression. Several of her performances were officially released as live singles, allowing her music to reach a wider audience beyond the show. Her decision to bring classical music to a pop-focused stage offered a unique contrast — one that reminded viewers of the emotional power of simplicity and vocal clarity.

Carlotta’s presence in the competition proved that classical vocalists still have a place in modern entertainment formats. Her calm, focused style stood out in a field where louder often dominates, and her success in the early rounds demonstrated that audiences and coaches alike are still moved by timeless melodies and genuine emotion.

What Comes Next?

As of now, Carlotta has not released original solo music beyond her The Voice performances. She remains relatively quiet in the public eye, focusing perhaps on her studies or further vocal training. However, given her talent, musical background, and strong reception from the public, it’s likely that her journey as a singer is far from over.

Whether she pursues classical performance, music education, or crossover projects in the future, Carlotta Bach has already proven that authenticity and emotional connection matter — and that even in the fast-paced world of television talent shows, there is still room for a classical voice.

Carlotta’s voice is truly angelic — so pure, controlled, and emotionally moving that it leaves a lasting impression on everyone who hears it.